12/26/17

Dimaex5001, the final album for 2017

This is it, kids, the final stop for 2017.  Dimaex5001, the sequel to Dimaex5000.  A bit more of the same, but with some new stuff happening.  Number one, there's a bit more of a rock vibe happening, with the guitars being pushed out front again. Not a lot of solos, but lots of melodic riffing and atmospheres.  

I also incorporated a new pedal into my pedalboard, and really used it a lot.  It's the new Digitech FreQout pedal, which is a "feedback" generator, and it's really cool.  I always like using guitar feedback, but it's really tough to get without cranking the volume up to eleven, and this pedal soves that problem.  You can probably hear it in my sustained notes and chords all over the place in this album.  I just couldn't help myself, it's just so cool to use once you get the hang of it, and I was able to get lots of feedback sounds at very low volume in my home studio.

The song titles, Song titles, images, and inspiration based on John Harper's RPG, Ghost Lines, available at One Seven Design Games. www.onesevendesign.com.

I also used a new VST synth called, Horror Box, a free download VSTi that generates some interesting and atmospheric background noise

Stream audio and download options available below: www.archive.org/details/dimaex5001 Download the whole album with album art
:https://archive.org/download/dimaex5001/Dimaex5001.zip

1 - On the Ghost Lines
2 - Imperium 891

3 - A Spirit Well in the Dethlands
4 - Spectrology
5 - Church of Ecstasy
6 - Violet Remedy
7 - Song of the Line Bulls

8 - Dimaex5001 

Composed and performed by Dimaension X.
Recorded and produced by Dave Lanciani at Dimaex Studios




12/17/17

The Ghost of Gawain - a new project from Exempt Human Specimen

 Greetings all,
I have a new idea for a project, and it's starting off with inspiration from using a free VST called Alter/Ego from Plogue Music Software developers.

Alter/Ego if a free vst that simulates speech and singing.  The original version only ad a female voice that was very robotic sounding, but now they're released a voice that simulates death growls and black metal vocals, along with a few different singing voices.  This one is called Marie Ork, and I used it to do the vocals in the new song.

In fact, the current version of the song is made completely with VST instruments.  There are no real guitars, basses, keyboards, drums or vocals.  It's all created in the computer.

I do plan to record actual guitar for the final versions of the songs, but everything else will be computer generated.  For now, using the VST instruments allows me to arrange the songs and get them basically ready to go, and then I'll add the actual guitars to add the "human" element.  But it is really amazing what you can do on a computer now, isn't it?

See below the the video demo of the song.  Thanks for listening.


10/15/17

Dimaex5000 (a new EP)

Dimaension X dives into the Trip-Hop genre, ... sort of.  A short EP album, very beats-driven, simple basslines, accompanying guitar, and weird voice samples.
 


1.  The Astronaut of Mass Drivers
2.  The Aristocrat of Science
3.  The King of Civilization
4.  Four of Hyperdrives
5.  The Duchess of Pulsars
6.  Two of Spaceships


Notes:
Composed and performed by Dimaension X.
Recorded and produced by Dave Lanciani at Dimaex Studios
Recorded almost exclusively with my SX Furrian Telecaster-copy guitar, mainly using pedals as my sound source, and my Mooer Micropreamp UK Gold 002 for my direct recording connection into my Focusrite Scarlett 2i2.

Signal chain is:
Joyo Vintage Overdrive
Joyo Ultimate Drive
Earthquaker Devices Acapulco Gold
Mooer Micro Preamp UK Gold 002
Morley Mini-Volume Pedal
Earthquaker Devices Transmisser
Earthquaker Devices Avalanche Run

9/24/17

Mooer, Please

I just recorded a demo using the great little micro pedal by Mooer, called the UK Gold 002.  It digitally simulates (VERY accurately) the sound of a Marshall JCM900.

Luckily, City Music in Leominster MA has most of the Mooer pedals in stock.  They are pretty inexpensive, VERY small, and sound great.  Check them out when you have a chance of you're a local musician.

The signal chain is: Agile 3010SE Joyo Vintage Drive Mooer UK Gold 002 (cab sim on) Earthquaker Avalanche Run directly into a Focusrite Scarlett 2i2 I use Cockos Reaper as my DAW exclusively.



 


9/16/17

Drone2012 - now streaming at YouTube

I finally created some videos for my 2012 album called "Drone2012" and uploaded them to YouTube.



Yes, I did record this way back in 2012.  Here's the general description from the Internet Archive download page:

An experiment in drone-doom-noise. I'm mainly toying with feedback, delays and other effects in real-time. For a lot of this I just propped my guitar up in front of the amp and let it do the work.

The final "song" is a "cover-tune" of sorts, but obviously severely modified. Anyone care to venture a guess? 

All recorded with my guitar tuned to D,A,D,A,D,E. Loud amp. Loud.

All music herein remains untitled ...
All music herein shall move, yet remain still...
All music herein shall be created to be deconstructed...
all music herein shall not only be heard but shall be experienced by all tactile senses ...


Here's a link to stream / download the files at the Internet Archive:
CLICK HERE!!!

To directly download a ZIP file with the whole album, art, etc., 
CLICK HERE!!


8/18/17

Eklipss

Here it is folks, ... EKLIPSS

Some new experimental Drone Doom Metal from Dimaension X created and inspired by the upcoming Solar Eclipse on 08/21/2017.  Once again, I've been listening to SunnO))), Monarch, Olde, Thorr's Hammer, Khanate, Nadja, and other Droney Doom bands, and using the number Pi (π) as "tablature" for the notes.




1.  Umbra
2.  Penumbra
3.  Antumbra
4.  Abandonment
5.  Downfall
6.  Darkening of the Heavenly Body
7.  To Cease to Exist.

Composed and performed by Dimaension X.
Recorded and produced by Dave Lanciani at Dimaex Studios


Click HERE to go to the Internet Archive page for streaming and download options.

Click HERE directly download a ZIP file for the whole album, art, etc. 



Recorded almost exclusively with an SX Furrian Telecaster-copy (just to prove that it can be done with stock single pickups); the first album half using a Joyo Ultimate Drive for the main tone, and an Earthquaker Devices Acapulco Gold for the second album half.  I used my Yamaha THR-10 as my recording interface, with the Lead Setting (Low Gain British- EL34) as my clean tone.  I also threw in an EQD Transmisser for some of the weird modulated tones.

7/29/17

New Doooooooommm (coming sooooon ...)

New project on the way, ... some DOOOOOOMM Metal. Loud. Slow. Heavy.  HEAVY, man.

Is being recorded with a few new toys ...

Trying to make doom metal with a Telecaster-style guitar.  Yes, that's what I said.  Makin' DOOM METAL with a standard single-coil-loaded Tele. A stock SX Furrian.  No upgraded pickups.  Just the single-coilies.  Why?  Just to prove that I can.

A few new pedals in the mix.  First using my Joyo Ultimate Drive (not new, but haven't used it much), for some raging tones (drive and tone dimed!).  Next, I bought a few Earthquaker Devices pedals at City Music! Yeah, they stock Earthquaker Pedals!  Kudos to them for taking a chance and stocking up on some really unique effects pedals!

I picked up an Acapulco Gold pedal, which basically reproduces the sound of an old Sunn Model T amp cranked up to maximum volume! It has ONE knob on it - the volume control, and that's it.  This pedal is LOUD, so you have to keep the volume pretty low unless you plan on really punishing your amp.

I also grabbed a Transmisser pedal, with is a weird, modulated reverb pedal.  It makes very spacey, wobbly echo sounds.  Great for ambient music.

You can also check these pedals out on the YouTube.  Lot's of musicians online really rave about Earthquaker Devices pedals, and with good reason.  Instead of making yet-another-clone-pedal of a "Marshall-in-a-box", or ANOTHER Tube Screamer clone and the like, they really strive to come up with their own flavors of sounds and special effects that know one else does.  They can be a little expensive, but they really do things that no other pedals even attempt to do.

I'm running the pedals into my trusty Yamaha THR-10 amp that I've had for several years now.  I love the thing.  I'm basically running the pedals through the Marshall Plexi model, which is like an old non-master volume classic Marshall stack from the 1960's.  You know, low-gain preamp that goes into EL34 power tubes. You basically turn all the controls up to ten.

It's USB'd right to my computer, everything recorded direct, so you get a great rich tone with no mics needed.  I'll post some samples when I'm satisfied with the mixes.