Late 2012 Ego Boost!!

32,705 downloads.  Did I do the math correctly?  I just went to my Dimaension X music links at the Internet Archive and added up my total downloads and got a total of 32,705.

32,705. Wow.  Really. Thank you all.  Sincerely.

Yes, I am merely massaging my fragile ego, but it's nice to know that there are some folks out there still interested in listening to my music.  And this is WITHOUT any of the "old-school Myspace spamming" that we all used to do to each other. (Remember those days?  Leaving "comments" on as many pages as possible stating that you've "got some new music posted! Thanks for listening!")

I also didn't count any of my comic book releases (or my side-projects, Burn Without Me and Moroghor) - not so many of those being downloaded, but eh, that's okay.  I personally never thought my comics were that good anyway.

And I still think that people download my music because it's free.  If they had to pay for it, it would be a different story.  I create my music for me and no one else, and if anyone else likes it, it's just a very nice "pat on my back."  But it is still a very nice pat on the back.  Yeah, the flaky, insecure artist in me does acknowledge the need for a bit of attention here and there.  Like we all do.

So nearing the end of another year, I managed to get a few albums out (some old material, some new), and will hopefully be working on some new stuff for 2013.

Oh, BTW, some old friends of mine just put a new band together, called Joe Sixpack.  Three former members of Second Class Citizen and one new guy (who I don't know).  More info on them and where-and-when they're playing soon.

And don't forget to check out former Deadside Manor bassist Clint Mitchell's current band, Muckler's Circle.  They're playing at Tammany Hall on Dec 9th.  Here's their FACEBOOK and REVERBnation links.

Recommending some music - Baroness, Earth and more

After releasing my new "Drone2012" album, I've been seeking out and listening to a bunch of music to try to get inspired for my next project, and I've discovered some great stuff. 

I bought myself a few new albums from some artists I've never listened to before, and now I wish I'd been paying better attention these past few years.  First on my new listening list is Baroness and their new double album, "Yellow and Green."  I'd categorize these guys as heavy rock influenced by the Southern Sludge and N.O.L.A. bands like Down, Eyehategod, Thou, Crowbar.  Their earlier albums from just a few years ago were much heavier and "sludgier", but this double-album set is downright melodic and much lighter.  It's closer to Opeth's "Heritage" or "Damnation"  

I was very surprised by this one and wasn't expecting the great vocals and vocal harmonies provided by singer/guitarists John Baizley and Peter Adams.  The guitars aren't quite clean, but not really your typical fuzzed-out mud either.  More of a classic rock overdrive and grit, with a few heavier tones here and there.   The production on this album is surprisingly clear, focusing on the guitars and vocals, but letting the drums and bass share the aural space.  I highly recommend this album.  And look into their earlier albums, "Red" and "Blue" if you want something a bit nastier.

I also bought the latest Public Image Limited album, called, "This is PiL."  I've been a fan of these guys for a while, so they aren't new to me, but this album isn't quite what I expected.  Which is par for the course with Mr. John Lydon and his latest line-up of experienced musical backers.

The critics have been saying this album reaches back to their more experimental early period, and I am inclined to agree, though no happily.  Personally, I like their "less experimental" side, like their "Generic Album" produced by Bill Laswell, and their 1992 album "That What Is Not", which in my opinion was a really great rock album (though panned by the critics).  The music is very dub-influenced, led by the basslines of Scott Firth and the steady drumbeats of Bruce Smith.  Lu Edmonds provides the clanking guitar chords, very reggae and dub-influenced, but a bit more "angular" and discordant.  Lots of weird effects and echoes migrate from his amps, and he also plays a bunch of songs on electric "saz", a Turkish three-stringed instrument, but I have a difficult time discerning it from "normal" electric guitar.

And finally we have the ever-unique and abrasive vocals from Mr "Johnny Rotten" himself, John Lydon.  Most mainstream music listeners (i.e., fans of American Idol and The Voice) will automatically hate his vocals, and I also find myself wincing every so often, but Lydon is not out to please you with his mellifluous and dulcet tones.  He's here to piss you off and make you think.  And that's exactly what he does.  I just wish the backing music was a bit more "rocking" and less "dub."

I'm dragging on a but, but I promise, this is the last music recommendation here, folks ... ready?  

Earth.

I can't believe I've never listened to them before.  Led by guitarist Dylan Carlson (and his drummer/wife Adrienne Davis), Earth are classified as a "drone" band, but they really play music that could be considered "majestic desert travelogue" or something like that. Their early noisy, sludgey, droney albums of the 1990's were a huge influence on Sunn O))), Boris, The Melvins, and a slew of other bands.

Carlson is also known somewhat infamously (not his fault, though) as Kurt Cobain's best friend and probably the last person to see him alive.  Which is why Earth went on hiatus in 1996, while Carlson recovered from his friend's suicide by abusing various illegal substances.  After their first three very loud and fuzzy albums (and several EP's), Earth would not be heard from again for nine years until 2005, when Carlson managed to get his life back on track.  He also completely reinvented the band's sound by dropping nearly all distortion from the guitars, leaving them crisp and just slightly gritty, much more Duane Eddy than Tony Iommi.

If you like Sunn O))) and Boris, check out their earlier material.  But I really prefer their albums from 2005 and on.  Loud but relatively "clean" guitars dominate the mix, playing slow and deliberate "riffs" and arpeggiated chords over very minimalistic drums.  The guitar tones are absolutely gorgeous.  Think Telecasters through Fender Twins at that volume where the sound just barely begins to break into overdrive.  The drums are very well recorded.  Bass and other instruments (including cello, violin, organ, and trombone) compliment, but never rise to overtake the mix from the guitars.

Start with their 2005 album, "HEX; or Printing In the Infernal Method" and then just go out and get the rest.  Just do it.  Burn 'em into your iPod and put them on constant repeat.  Your ears will be rewarded with hours of splendid guitar tones.  Seriously, as a guitar player, you just can't help but "bathe" in the sumptuous vibrations of single-coils singing through the speakers.

Okay, enough for now.  Listening to all this music has already inspired me to start thinking about my next recording.  It won't quite be "Drone2012, part 2", but that is kind of a starting point.  It will be "droney";  think of Song 4 on "Drone2012" but imagine it if Earth were playing it.  Yeah, that's the ticket.  

Drone2012 - the new album

Drone2012 - the new album by Dimaension X is uploaded and ready for download at The Internet Archive.

Four long "songs".  

http://archive.org/details/DX_drone2012

An experiment in drone-doom-noise.  I'm mainly toying with feedback, delays and other effects in real-time.  For a lot of this I just propped my guitar up in front of the amp and let it do the work.

There are some "riffs" and chords and some rhythms here and there.  This isn't a SUNN O))) album.  It's Dimaension X.  Though I really didn't play any "solos".  Next album.  This is experimental and improvisational.  Noisy.  Droney.

The final "song" is a "cover-tune" of sorts, but obviously severely modified.  Anyone care to venture a guess?

All recorded with my guitar tuned to D,A,D,A,D,E.  Loud amp.  Loud.

Bass, too.  (D,A,D,G) Through the guitar fx and amp.  Loud.

It may be good for your Halloween party.  Maybe.

New music soon!!!

New music soon ... here's what I've got posted at Soundcloud.  The final versions, plus another whole song will be added when the album is release.

Here's the link:
http://soundcloud.com/dimaensionx/sets/drone2012/

Soon ... yes, soon ...

SUNset TZUnami - "the blackest gift"

Here's another post promoting bands I'm finding online with music you can download for FREE - the band is called SUNset TZUnami, and they play a weird combination of droney doom (or doomy drone?) with some goth-rock and stoner-metal influences thrown in, plus some odd orchestral instruments in weird intros.

And ... get this ... their "secret bonus track" has lyrics from Dr. Seuss's "Green Eggs & Ham" - not that you could actually understand them, but I think that's kind of a neat idea.  I'm still waiting for a legitimate death metal band to do a cover of "C is for Cookie", but I haven't heard it yet.

The vocals are pretty obviously "pitch-shifted", but it doesn't detract from the music.  It actually adds to the odd-weirdness.  I like some of their riffs, and they dive into some headbangin' grooves.

They also feature a girl drummer.  Another oddity in the metal realm, especially in the more extreme metal genre.

So here's the link to their website:
http://sunsettzunami.blogspot.com

Their discography page has a link to stream the songs and you can download the album for free.  No registrations, mailing lists, etc.  Pretty cool.

and here's a more direct link to the download page for their album, "the blackest gift" at the Internet Archive:
http://archive.org/details/ST_theblackestgift

This music is very fitting for your Halloween Party this year.  Play it loud.

More bands to be featured soon.

Black Spring Monolith (and more...)

Howdy folks, ...

I decided to do some promoting for some neat music I've discovered online that is mostly available for FREE DOWNLOADS!  Yeah!  Apparently I'm not the only nutcase who gives it away for nothing.

The band is called Black Spring Monolith, and most of their music is available for free download at the Cosmic Gates Records Bandcamp page:

http://cosmicgatesrecords.bandcamp.com/

I'm not even sure how to properly describe their music.  Industrial-drone-doom-metal?  Lot's of fuzzed out guitars playing simple repetitive riffs over simple drums and heavy synth-drone atmospheres.

There's also a bunch of other albums from other bands posted on this page.  I haven't had the chance to listen to all of them, but most are in the same genre.  Heavy, sludgy, kinda industrial.  A bit of fizzy noise, some odd samples here and there.  If you're into experimental industrial sludge, these bands are for you.  I mostly recommend Black Spring Monolith, but there's a lot to choose from.

I'll be posting more recommendations here and there, while I'm figuring out what my next musical project will be.  I'll be working on some new stuff soon, once I'm ready.

Re-inventing Dimaension X

As most of you 7 readers know (that's how many folks have actually subscribed to my blog/website - suckers!), Dimaension X is in a "period of transition". I left the band that I was involved with for two years (Deadside Manor), decided not to pursue recording other bands for a second job, lost one job in January, got an older job back in April, my son moved out to his own apartment, I injured my back moving my amp, and so on. Lots of changes musically and personally.

So I have decided to take some time to "re-invent" Dimaension X.

My first step forward was to revise my tuning to Open D sus (D.A.D.A.D.E). I like playing in Drop D (mainly due to the fact that I've lost some of my barre chord strength in my left hand after I had a cyst removed from my wrist a few years ago), and wanted to try a more "open" sound that would have nice, full one-finger barre chords. I really enjoyed playing with Open C sus (C G C G C D), and recorded an album and most of an EP in that tuning, so I wanted to try it again, but in a more normal guitar range. Open D sus fits the bill nicely, being similar to Drop D, but revises the guitar scales very differently on the fretboard for solos.

Which is good because I now have a whole new set of scales and modes to re-learn. I now must re-think how I play guitar, and will discover some new things by virtue of notes being in new places. Old finger patterns cannot be used. New ones must develop. Playing old songs in the new tuning is interesting. Some of the Deadside Manor tunes sound fuller, due to having more strings ringing out in chords across the fretboard. I get why Devin Townsend uses similar tuning.

I've actually posted a video of myself trying out the new tuning. Sound quality kinda sucks, but I'm recording the video with my Nikon CoolPix camera (which is NOT made specifically for video). First thing I noticed is that I really have to lose some weight. The camera doesn't add ten pounds. Eating ice cream every night and finishing my wife's supper does. So step two is to try to drop some pounds.

Here's the video:

I'm also working on my live rig. My Line 6 Spider IV 75 is a great amp, and has served me well both in practice and live, but I really need a lighter amp to keep from injuring my back over and over lugging it around. So I am looking into options for lighter amps that will still keep up with a live drummer. Which means I may also go back to using pedals for my live sound.

And musically, I'm trying to get back into a more progressive, interesting sound. I just bought Steve Vai's new album, and am still blown away by his music. Not just his guitar playing (which is ALWAYS phenomenal), but the music itself is equal parts melodic, emotional, catchy, heavy, and downright weird. I've spent the past few years playing a much more stripped-down heavy rock with the band, and really have a yearning to get back to something way out there and unusual. Maybe revisit Burn Without Me's genre-hopping style?

Reinventing Dimaension X. More soon. See yah.